Thomas Wild is Research Director at the Hannah Arendt Center and Professor of German Studies and Literature at Bard College, and works on modern European and German literature and culture. In his research as well as in his teaching he’s particularly interested in the intersections between literature and history, politics, and philosophy. A current focus of his work addresses the poetics and ethics of multilingualism. Wild has published an introductory book on Hannah Arendt’s life, work, and reception and a monograph on Hannah Arendt’s intellectual relationships with post-war writers. His most recent book on the distinguished poet Ilse Aichinger discusses a contemporary poetics of hospitality. Several editions of letters emerged from Thomas Wild’s ongoing intrigue for correspondences and intellectual networks, including prominent writers such as Uwe Johnson, Wolfgang Hildesheimer, and Joachim Fest. Poetry is an interlocutor in most of his courses and in many of his publications, among the latter are a collection of poems by Thomas Brasch and translations of contemporary American poets. Thomas Wild serves as general editor on the distinguished international team preparing the first scholarly edition of Hannah Arendt’s Complete Works, which appears in print and digitally, presenting all published and unpublished writings of this eminent thinker in the original English and in the original German – a project providing the foundation for future research on Hannah Arendt, digital humanities, and what it means to think in a plurality of languages.
Thomas Bartscherer works in the humanities and the arts and on the study of politics and liberal education. Recent publications include the critical edition of Hannah Arendt’s final work, The Life of the Mind, which he co-edited for the Complete Works series, and When the People Rule: Popular Sovereignty in Theory and Practice, co-edited for Cambridge University Press. His six-hour opera, Stranger Love, created with composer Dylan Mattingly, was commissioned by the Los Angeles Philharmonic, where it premiered in 2023. His work has also been performed at the Baryshnikov Arts Center, the Prototype Festival, and the First Take West Coast Opera Workshop. Bartscherer also writes on technology, new media, performance, and contemporary art, and has published translations from German and French. He is co-editor of Erotikon: Essays on Eros Ancient and Modern and Switching Codes: Thinking Through Digital Technology in the Humanities and the Arts, both from the University of Chicago Press. He has held research fellowships at the École Normale Supérieure in Paris, the Universities of Heidelberg, and the University of Munich. He has held visiting positions as Associate Research Professor at Vanderbilt University and as Senior Fellow in residence at the Center for Advanced Film Studies at the Freie Universität in Berlin. He was Director of Bard’s Language and Thinking Program from 2010-2015. Bartscherer is a research associate on the Équipe Nietzsche at the Institut des Textes et Manuscrits Modernes and is a Senior Fellow that the Hannah Arendt Center for Politics and the Humanities at Bard College. He holds a BA from the University of Pennsylvania and an MA and PhD from the University of Chicago.
Wout Cornelissen is appointed as Assistant Professor (tenured) of Philosophy of Law at Radboud University, Nijmegen. Previously, he has held positions at FU Berlin, Vanderbilt University, Utrecht University, Bard College, and VU Amsterdam. He holds a Ph.D. in Philosophy from Leiden University. He is co-editor of the new, critical edition of Hannah Arendt’s The Life of the Mind, which has been published in 2024 as vol. 14 of the Complete Works (Wallstein Verlag). He has published essays on Arendt’s conceptions of thinking in the edited volumes Artifacts of Thinking: Reading Arendt’s Denktagebuch (Fordham UP, 2017) and The Bloomsbury Companion to Arendt (2020), and on her practice of quoting in The Phenomenology of Testimony (Brill, 2025).
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